Frank Rosaly // Milkwork @ Modified

Shot at Modified. . This is from the initial project I planned to shoot before the Modified Doc came together. Frank Rosaly can be found here, check out his music and try to see him live.

To Start.

This documentary has shifted since I started, but in essence it is an investigation of what Modified meant to the community. The transformative effects it had on the neighborhood and to those who played, showed, volunteered and watched.

The roots of this documentary grew from another project. I had a chance run in with Jen Rogers Belledin, founder of The Phoenix Creative Music Movement [ PCMM ] . I was planning to do a series of art films based on the performance of Frank Rosaly’s Milkwork project which would mark the return of PCMM at Modified. On the day that I started to develop my plan for the Milkwork film, the news came through that Kimber Lanning [ who is indelibly linked to both Modified and Phoenix, in general ] would be stepping down and passing the torch, the direction of Modified would be changing. Indie Rock bands would no longer be part of the mix, and the space would be renovated in the direction of art gallery. ( The announcement Kimber made is on this blog, it happened on September 27th, 2009 )

At the time, the public reaction in downtown was of concern. I think, a bit of fear that the heart of Roosevelt would change. The music community, especially , was concerned that they had lost a venue that they all felt invested in. Many bands of varying levels of scale and prominence had played Modified in one form or another. The creaky wood platform stage sagging beneath their feet felt like home. Everyone who wasn’t directly related probably took it for granted, something that many grew up with would now change…

Kimber’s Note To Phoenix :

Hello Phoenix,

I think you all know how much I love this town, right? Maybe some of you know me from Stinkweeds, or Modified Arts, or some of my newer friends know me from the work I’m doing with Local First Arizona. Well, I want to talk to you about some upcoming changes that you should know about. It’s important that you hear this from me, and that you know that you can ask me any question you may have at any time.

A brief history of Modified Arts: we opened in January of 1999 as a dedicated art space, providing a place for painters, musicians, actors, dancers, and poets to share their work in an affordable and welcoming environment. As you know, Roosevelt Street has blossomed over the years and is now home to an astonishing array of galleries, shops, and restaurants. I am proud to have been part of what has been nothing less than the complete transformation of a community.

Over the past 10 years, I have changed as well. I am now actively involved in community development, and work extensively on both city and state initiatives that I believe will be for the betterment of us all. Encouraging density and infill, sustainable policies- rather than suburban policies of the 50’s, local procurement, economic development, and entrepreneurship are my top priorities. Many of you who know me know that I have worked hard to walk the line between indie rock shows and city council meetings, between stocking the fridge and public speaking engagements.

It’s time for something to give.

I am pleased to introduce you to Kim Larkin and Adam Murray, a husband and wife team who will be the perfect people to carry on the Modified banner without me. I am overwhelmingly happy to have found a solution to a difficult situation. I will never give up that building, but I didn’t want to place a business in there that wouldn’t actively contribute to the neighborhood, and in particular to Roosevelt Row. Kim and Adam will be able to advance Modified in a way that I am unable to do with my current work load.

Kim’s background is in arts management, and she has already run a gallery of her own in Salt Lake City. Adam is a sound engineer whom some of you may know as a sound guy at Modified now. They have big plans for Modified Arts and I expect you all to get behind them and show support. Modified Arts will be more of a traditional gallery, though Adam will still be doing shows. However, we must tell you that the big, indie rock shows you’ve come to know and love at Modified will have to find another home. The programming will be changing to better accommodate a gallery, so the slant will be more experimental and progressive.

We will be closing Modified Arts as it exists right now the second weekend in December and re-opening with a new look for Third Friday in January. The stage and green room will be gone, giving way to a cleaner look that will better suit the artwork.

I know some of you will have a hard time with the change but I am asking you to embrace it the best you can and recognize that for almost 11 years we did something no one thought we could do. We ran in independent music venue and art gallery with volunteers from the community and kept the rent at $160 so that bands could play and make some money, and promoters could still bring the small bands and make ends meet. We provided the stepping stones for most of the bands playing at the Rhythm Room today. In fact, some of the bands playing at the Marquee or Cricket Pavilion got their first show in Phoenix at Modified. If you were there for one of those shows, please hold the memory dear.

As a city grows, things change. Be proud of what each of you contributed and be grateful you were there. Looking forward, Modified Arts will be something new to explore and yet familiar. Kim and Adam have promised to keep working with many of the mid-career artists I’ve worked to develop over the years, and I feel the situation could not be better. They will give the website a new look and have lots of plans for better events. I’m sure they will be in touch with many of you in the coming weeks to introduce themselves and to communicate their plans to you directly. You will like them a lot, I promise. Kim and I are collaborating on a show in January (my last, her first) that will document the history of the Phoenix arts scene going all they way back to the early 70’s.

I could talk to you all for days about the ways Modified has changed over the years- some good and some bad. The community has changed, too. I know I have certainly been distracted with all of the policy work I’ve been submerged in, but I will save that discussion for a book one day. Suffice to say I am happy I was able to be a part of it, and I’m happy I found someone to carry it on.

For all of you who were there along the way: thank you. Modified is a shining example of what a community can do when we work together. I look forward to whatever we decide to do next.


Kimber